{"id":7080,"date":"2025-02-05T08:21:30","date_gmt":"2025-02-05T08:21:30","guid":{"rendered":"https:\/\/acu.am\/?page_id=7080"},"modified":"2025-02-06T08:42:16","modified_gmt":"2025-02-06T08:42:16","slug":"%d5%a5%d6%80%d5%af%d5%a1%d5%b6%d5%b5%d5%a1%d5%b6-%d5%a5%d6%80%d5%be%d5%a1%d5%b6%d5%a4-%d5%be%d5%a1%d5%b0%d5%a1%d5%b6%d5%ab","status":"publish","type":"page","link":"https:\/\/acu.am\/?page_id=7080&lang=en","title":{"rendered":"YERKANYAN YERVAND"},"content":{"rendered":"\n\t<section class=\"section has-parallax\" id=\"section_250051665\">\n\t\t<div class=\"section-bg fill\" data-parallax-container=\".section\" data-parallax-background data-parallax=\"-3\">\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"1518\" height=\"853\" src=\"https:\/\/acu.am\/wp-content\/uploads\/2023\/07\/BG.jpg\" class=\"bg attachment- size-\" alt=\"\" \/>\t\t\t\t\t\t<div class=\"section-bg-overlay absolute fill\"><\/div>\n\t\t\t\n\n\t\t<\/div>\n\n\t\t\n\n\t\t<div class=\"section-content relative\">\n\t\t\t\n<div class=\"row\" style=\"max-width:1200px\" id=\"row-944201742\">\n\n\t<div id=\"col-1755893562\" class=\"col medium-5 small-12 large-5\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n\t<div id=\"gap-44334641\" class=\"gap-element clearfix\" style=\"display:block; height:auto;\">\n\t\t\n<style>\n#gap-44334641 {\n  padding-top: 0px;\n}\n@media (min-width:850px) {\n  #gap-44334641 {\n    padding-top: 30px;\n  }\n}\n<\/style>\n\t<\/div>\n\t\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n\n\t<div id=\"col-1292782511\" class=\"col medium-12 small-12 large-7\"  >\n\t\t\t\t<div class=\"col-inner text-shadow-4\"  >\n\t\t\t\n\t\t\t\n\t<div id=\"gap-734633104\" class=\"gap-element clearfix\" style=\"display:block; height:auto;\">\n\t\t\n<style>\n#gap-734633104 {\n  padding-top: 30px;\n}\n<\/style>\n\t<\/div>\n\t\n\t<div id=\"text-2567115948\" class=\"text\">\n\t\t\n<h1 class=\"uppercase\"><strong>YERKANYAN<\/strong><\/h1>\n<p><strong>YERVAND<\/strong><\/p>\n\t\t\n<style>\n#text-2567115948 {\n  font-size: 2.5rem;\n}\n@media (min-width:550px) {\n  #text-2567115948 {\n    font-size: 3rem;\n  }\n}\n<\/style>\n\t<\/div>\n\t\n\t\t<\/div>\n\t\t\t\t\n<style>\n#col-1292782511 > .col-inner {\n  padding: 0px 0px 0px 0;\n}\n@media (min-width:550px) {\n  #col-1292782511 > .col-inner {\n    padding: 0px 0px 0px 30px;\n  }\n}\n<\/style>\n\t<\/div>\n\n\t\n<\/div>\n\t\t<\/div>\n\n\t\t\n<style>\n#section_250051665 {\n  padding-top: 30px;\n  padding-bottom: 30px;\n  min-height: 300px;\n}\n#section_250051665 .section-bg-overlay {\n  background-color: rgba(87, 66, 35, 0.174);\n}\n#section_250051665 .section-bg img {\n  object-position: 67% 42%;\n}\n@media (min-width:550px) {\n  #section_250051665 {\n    min-height: 450px;\n  }\n}\n@media (min-width:850px) {\n  #section_250051665 {\n    min-height: 400px;\n  }\n}\n<\/style>\n\t<\/section>\n\t\n<div class=\"row\" style=\"max-width:1200px\" id=\"row-1773275070\">\n\n\t<div id=\"col-1518671635\" class=\"col medium-12 small-12 large-5\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n\n  <div class=\"banner has-hover bg-zoom-long\" id=\"banner-328898057\">\n          <div class=\"banner-inner fill\">\n        <div class=\"banner-bg fill\" >\n            <img loading=\"lazy\" decoding=\"async\" width=\"675\" height=\"900\" src=\"https:\/\/acu.am\/wp-content\/uploads\/2024\/09\/11.05.1951-\u0535\u0580\u057e\u0561\u0576\u0564-\u0535\u0580\u056f\u0561\u0576\u0575\u0561\u0576.jpg\" class=\"bg attachment-large size-large\" alt=\"\" \/>                                    \n                    <\/div>\n\t\t\n        <div class=\"banner-layers container\">\n            <div class=\"fill banner-link\"><\/div>            \n        <\/div>\n      <\/div>\n\n            \n<style>\n#banner-328898057 {\n  padding-top: 300px;\n  background-color: rgb(255, 255, 255);\n}\n#banner-328898057 .banner-bg img {\n  object-position: 70% 0%;\n}\n@media (min-width:550px) {\n  #banner-328898057 {\n    padding-top: 500px;\n  }\n}\n@media (min-width:850px) {\n  #banner-328898057 {\n    padding-top: 500px;\n  }\n}\n<\/style>\n  <\/div>\n\n\n\t<div id=\"gap-659500079\" class=\"gap-element clearfix\" style=\"display:block; height:auto;\">\n\t\t\n<style>\n#gap-659500079 {\n  padding-top: 0px;\n}\n@media (min-width:850px) {\n  #gap-659500079 {\n    padding-top: 100px;\n  }\n}\n<\/style>\n\t<\/div>\n\t\n\t\t<\/div>\n\t\t\t\t\n<style>\n#col-1518671635 > .col-inner {\n  margin: -100px 0px 0px 0px;\n}\n@media (min-width:550px) {\n  #col-1518671635 > .col-inner {\n    margin: -150px 0px 0px 0px;\n  }\n}\n@media (min-width:850px) {\n  #col-1518671635 > .col-inner {\n    margin: -400px 0px 0px 0px;\n  }\n}\n<\/style>\n\t<\/div>\n\n\t\n\n\t<div id=\"col-2145823988\" class=\"col medium-11 small-12 large-7\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n\t<div id=\"gap-1062476200\" class=\"gap-element clearfix\" style=\"display:block; height:auto;\">\n\t\t\n<style>\n#gap-1062476200 {\n  padding-top: 30px;\n}\n<\/style>\n\t<\/div>\n\t\n<p><strong>Composer, violinist<\/strong><\/p>\n<p><strong>Member of the Composers Union of Armenia.<\/strong><\/p>\n<p><strong>Born on 05\/11\/1951 in Gyumri<\/strong><\/p>\n<div class=\"social-icons follow-icons\" ><a href=\"https:\/\/www.facebook.com\/yervand.yerkanian\" target=\"_blank\" data-label=\"Facebook\" class=\"icon button circle is-outline tooltip facebook\" title=\"Follow on Facebook\" aria-label=\"Follow on Facebook\" rel=\"noopener nofollow\"><i class=\"icon-facebook\" aria-hidden=\"true\"><\/i><\/a><a href=\"mailto:yervand@yerkanyan.com\" data-label=\"E-mail\" target=\"_blank\" class=\"icon button circle is-outline tooltip email\" title=\"Send us an email\" aria-label=\"Send us an email\" rel=\"nofollow noopener\"><i class=\"icon-envelop\" aria-hidden=\"true\"><\/i><\/a><\/div>\n\t\t<\/div>\n\t\t\t\t\n<style>\n#col-2145823988 > .col-inner {\n  padding: 0px 0px 0px 0;\n}\n@media (min-width:550px) {\n  #col-2145823988 > .col-inner {\n    padding: 0px 0px 0px 30px;\n  }\n}\n<\/style>\n\t<\/div>\n\n\t\n<\/div>\n\n\t<section class=\"section\" id=\"section_450734619\">\n\t\t<div class=\"section-bg fill\" >\n\t\t\t\t\t\t\t\t\t\n\t\t\t\n\n\t\t<\/div>\n\n\t\t\n\n\t\t<div class=\"section-content relative\">\n\t\t\t\n<div class=\"container section-title-container\" ><h1 class=\"section-title section-title-center\"><b aria-hidden=\"true\"><\/b><span class=\"section-title-main\" >biography<\/span><b aria-hidden=\"true\"><\/b><\/h1><\/div>\n<div class=\"row\" style=\"max-width:1200px\" id=\"row-754167092\">\n\n\t<div id=\"col-844427931\" class=\"col small-12 large-12\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n<div class=\"accordion\">\n\t<div id=\"accordion-1226631446\" class=\"accordion-item\">\n\t\t<a id=\"accordion-1226631446-label\" class=\"accordion-title plain\" href=\"#accordion-item-education\" aria-expanded=\"false\" aria-controls=\"accordion-1226631446-content\">\n\t\t\t<button class=\"toggle\" aria-label=\"Toggle\"><i class=\"icon-angle-down\" aria-hidden=\"true\"><\/i><\/button>\n\t\t\t<span>EDUCATION<\/span>\n\t\t<\/a>\n\t\t<div id=\"accordion-1226631446-content\" class=\"accordion-inner\" aria-labelledby=\"accordion-1226631446-label\">\n\t\t\t\n<p>1970 composition department (prof.: G. Yeghiazaryan) and violin department (prof.: H. Vardanyan) at the Yerevan State Conservatory after Komitas (YSCK)<\/p>\n<p>1978 &#8211; post-graduate course of YSCK (prof.: G. Yeghiazaryan)<\/p>\n\t\t<\/div>\n\t<\/div>\n\t\n\t<div id=\"accordion-1725795585\" class=\"accordion-item\">\n\t\t<a id=\"accordion-1725795585-label\" class=\"accordion-title plain\" href=\"#accordion-item-activities\" aria-expanded=\"false\" aria-controls=\"accordion-1725795585-content\">\n\t\t\t<button class=\"toggle\" aria-label=\"Toggle\"><i class=\"icon-angle-down\" aria-hidden=\"true\"><\/i><\/button>\n\t\t\t<span>ACTIVITIES<\/span>\n\t\t<\/a>\n\t\t<div id=\"accordion-1725795585-content\" class=\"accordion-inner\" aria-labelledby=\"accordion-1725795585-label\">\n\t\t\t\n<p>1975-1994 \u2013 Professor at the YSCK<\/p>\n<p>1987-1994 &#8211; &#8220;Tagharan&#8221; ensemble of Armenian ancient music, artistic director and conductor<\/p>\n<p>1995 &#8211; &#8220;Gusan&#8221; choir of Beirut<\/p>\n<p>Since 1996 &#8211; Hayastan Orchestra (art director)<\/p>\n<p>Since 1999 &#8211; &#8220;Madrigal&#8221; ensemble<\/p>\n<p>2000 &#8211; Barsegh Kanachyan&#8217;s music studio (art director)<\/p>\n\t\t<\/div>\n\t<\/div>\n\t\n\t<div id=\"accordion-1145662170\" class=\"accordion-item\">\n\t\t<a id=\"accordion-1145662170-label\" class=\"accordion-title plain\" href=\"#accordion-item-works\" aria-expanded=\"false\" aria-controls=\"accordion-1145662170-content\">\n\t\t\t<button class=\"toggle\" aria-label=\"Toggle\"><i class=\"icon-angle-down\" aria-hidden=\"true\"><\/i><\/button>\n\t\t\t<span>WORKS<\/span>\n\t\t<\/a>\n\t\t<div id=\"accordion-1145662170-content\" class=\"accordion-inner\" aria-labelledby=\"accordion-1145662170-label\">\n\t\t\t\n<p><strong><em>Operas:<\/em><\/strong><\/p>\n<p>1981 &#8211; Shushanik&#8221; (2 actions, libretto by T. Levonyan)<\/p>\n<p>2008 &#8211; &#8220;Emperor&#8221; (3 actions, libretto by E. Yerkanyan)<\/p>\n<p><strong><em>Ballets:<\/em><\/strong><\/p>\n<p>1974 &#8211; &#8220;Oresteos&#8221; (2 actions, libretto by E. Yerkanyan<\/p>\n<p>1976 &#8211; &#8220;The King Aidipus&#8221; ballet (2 actions, libretto by E. Yerkanyan)<\/p>\n<p><strong><em>Musical-stage performances:<\/em><\/strong><\/p>\n<p>1978 &#8211; &#8220;Mokats Mirza&#8221; folk opera-ballet (libretto by N. Tahmizyan)<\/p>\n<p>1987 &#8211; &#8220;Birth of Vahagn&#8221; choreographic cantata (libretto by H. Ashughyan)<\/p>\n<p><strong><em>Cantata-oratorio, symphonic works:<\/em><\/strong><\/p>\n<p>1973 &#8211; Cantata &#8220;Lamentation of Jeremiah the Prophet&#8221;<\/p>\n<p>1975 &#8211; Symphonic poem &#8220;Victory&#8221;<\/p>\n<p>1976 &#8211; Suite No. 1, No. 2 from the ballet &#8220;Oresteos&#8221;<\/p>\n<p>1977 &#8211; Suite from the ballet &#8220;Oedipus the King&#8221;<\/p>\n<p>1977 &#8211; Symphony No. 1 &#8220;Introspection&#8221;<\/p>\n<p>1978 &#8211; Symphony No. 2 &#8220;Hayk and Bell&#8221; for recital, choir and symphonic orchestra<\/p>\n<p>1984 &#8211; Symphony No. 3 &#8220;Voice of a Victims&#8221;, to the memory of the Genocide victims, for children&#8217;s voice, choir and symphonic orchestra<\/p>\n<p>1986 &#8211; Symphony No. 4 &#8220;Nemesis&#8221;<\/p>\n<p>1994-1999 &#8211; Arrangements of over 60 sacred songs for soloists, choir and symphonic orchestra<\/p>\n<p>1995 &#8211; &#8220;Holy Week&#8221; oratorio<\/p>\n<p>1998 &#8211; &#8220;Resurrection Cantata&#8221;<\/p>\n<p>2001 &#8211; Symphonic poem &#8220;Victims\u2019 Square in Beirut&#8221; (2nd ed.: 2006)<\/p>\n<p>2008 &#8211; &#8220;Confessions of Augustinos Yeraneli&#8221; cantata<\/p>\n<p>2008 &#8211; Symphonic poem &#8220;The ruins of Baalbek&#8221;<\/p>\n<p>2010 &#8211; &#8220;Songs of the Individual&#8221; vocal-symphonic series for soloists and orchestra (by G. Trakli)<\/p>\n<p>2011 &#8211; &#8220;The Revelation according to John&#8221; oratorio for 3 soloists, 3 choirs, organ, brass and percussion instruments<\/p>\n<p>2011 &#8211; Symphony No. 5 &#8220;Crossed Dreams&#8221; (4 parts)<\/p>\n<p>2011 &#8211; &#8220;Heroic Rhapsody&#8221; dedicated to the 20th anniversary of RA Independence<\/p>\n<p>2011 &#8211; &#8220;Epitaph&#8221; in memory of the victims of the earthquake and tsunami in Japan<\/p>\n<p>2012 &#8211; &#8220;Shushi&#8221; symphonic suite (triptych) dedicated to the 20th anniversary of the liberation of Shushi<\/p>\n<p>2012 &#8211; &#8220;Mysteria&#8221; for symphonic orchestra<\/p>\n<p>2013 &#8211; Oratorio &#8220;Three Voice Mass&#8221; (by P. Sevak) for reciter, choir, children&#8217;s singing group and symphonic orchestra<\/p>\n<p><strong><em>Concerts:<\/em><\/strong><\/p>\n<p>1978 &#8211; Concertos for clarinet and symphonic orchestra<\/p>\n<p>1983 &#8211; Concerto No. 1 for violin and string orchestra<\/p>\n<p>2006 &#8211; &#8220;Vision&#8221; concert-poem for violin and orchestra<\/p>\n<p>2010 &#8211; Concerto for bassoon and symphonic orchestra (&#8220;Concerto elevato&#8221;)<\/p>\n<p>2011 &#8211; &#8220;CAPRICCIO ELEVATO&#8221; for violin and symphonic orchestra<\/p>\n<p>2012 &#8211; &#8220;PIETA&#8221; for wind and symphonic orchestra<\/p>\n<p>2012 &#8211; &#8220;SALOMEA&#8221; for violin and orchestra<\/p>\n<p><strong><em>Chamber-orchestral compositions:<\/em><\/strong><\/p>\n<p>1970 &#8211; Chamber Symphony No. 2<\/p>\n<p>1976 &#8211; Symphonietta No. 1<\/p>\n<p>1977 &#8211; Symphonietta No. 2<\/p>\n<p>1981 &#8211; Concerto for guitar and chamber orchestra<\/p>\n<p>1983 &#8211; &#8220;Intention&#8221; for the ensemble of soloists<\/p>\n<p>1985 &#8211; &#8220;Entelekhia&#8221; for the ensemble of soloists<\/p>\n<p>1986 &#8211; Concerto No. 2 for violin and chamber orchestra<\/p>\n<p>2007 &#8211; &#8220;Chronicon&#8221; (6 parts) for chamber (string) orchestra<\/p>\n<p>2008 &#8211; &#8220;Humoresque&#8221; for the ensemble of soloists<\/p>\n<p>2011 &#8211; &#8220;A Child&#8217;s Daily Dream&#8221; concerto for two flutes, percussion and chamber orchestra<\/p>\n<p>2011 &#8211; &#8220;Crossifying&#8221; for viola and chamber orchestra<\/p>\n<p><strong><em>Vocal-instrumental choral-orchestral chamber works:<\/em><\/strong><\/p>\n<p>1973 &#8211; &#8220;Song of Songs&#8221; for soprano, tenor and instrumental ensemble<\/p>\n<p>1974 &#8211; &#8220;Eghitsi Luys&#8221; vocal series for soprano and ensemble of soloists (by P. Sevak)<\/p>\n<p>1975 &#8211; &#8220;Canticle&#8221; for 4 sopranos, 6 flutes, arranged for piano and percussion<\/p>\n<p>1978 &#8211; &#8220;Hellenic songs&#8221; (book 1) for soprano and ensemble of soloists (by ancient Greek poetesses)<\/p>\n<p>1978 &#8211; &#8220;Hellenic songs&#8221; (book 2) for baritone and ensemble of soloists (by ancient Greek poets)<\/p>\n<p>1982 &#8211; &#8220;Book of Nativity&#8221; for chamber choir and orchestra (by V. Davtyan)<\/p>\n<p>1983 &#8211; &#8220;Four Tankas&#8221; for soprano and ensemble &#8211; a vocal series by Japanese poets<\/p>\n<p>2009 &#8211; &#8220;Lines by Teryan&#8221; vocal series for tenor and ensemble of soloists (by H. Sahyan)<\/p>\n<p>2009 &#8211; &#8220;3 Songs&#8221; vocal series for soprano, kamancha, kanon and tar (by A. Khomeini)<\/p>\n<p><strong><em>Chamber ensemble works:<\/em><\/strong><\/p>\n<p>1968 &#8211; &#8220;Children&#8217;s album&#8221; for piano<\/p>\n<p>1970 &#8211; 6 sonatinas for piano<\/p>\n<p>1971 &#8211; Sonata No. 1 for violin and piano<\/p>\n<p>1971 &#8211; &#8220;Two Eclogues&#8221; for piano<\/p>\n<p>1972 &#8211; &#8220;Avetum&#8221; for flute, oud, tom-toms<\/p>\n<p>1973 &#8211; &#8220;3 Recitatives&#8221; for flute and piano<\/p>\n<p>1974 &#8211; &#8220;Pantomusic&#8221; for two pianos (2nd ed. for piano, 1983)<\/p>\n<p>1974 &#8211; &#8220;Two Preludes&#8221; for piano<\/p>\n<p>1975 &#8211; Sonata No. 1 for piano<\/p>\n<p>1976 &#8211; &#8220;Avetum&#8221; for piano<\/p>\n<p>1976 &#8211; Sonata No. 2 for violin and piano<\/p>\n<p>1976 &#8211; Sonata for organ<\/p>\n<p>1976 &#8211; &#8220;Vark Tova Metsopetsu&#8221; for two trumpets and two trombones<\/p>\n<p>1977 &#8211; Sonata for cello<\/p>\n<p>1977 &#8211; Sonata for bass clarinet and piano<\/p>\n<p>1978 &#8211; String Quartet No. 1<\/p>\n<p>1978 &#8211; &#8220;Behavior of S. Syunetsi&#8221; for piano, organ and percussion<\/p>\n<p>1978 &#8211; Sonata for flute and piano<\/p>\n<p>1980 &#8211; Sonata No. 2 for piano<\/p>\n<p>1981 &#8211; Sonata for cello and piano<\/p>\n<p>1982 &#8211; Woodwind Quintet<\/p>\n<p>1983 &#8211; String Quartet No. 2<\/p>\n<p>1984 &#8211; &#8220;Sunset Waves&#8221; for flute, clarinet, violin, cello and piano<\/p>\n<p>1987 &#8211; String Quartet No. 3<\/p>\n<p>1987 &#8211; Woodwind Quartet<\/p>\n<p>1989 &#8211; &#8220;Murals of the Past&#8221; suite for organ<\/p>\n<p>1997 &#8211; &#8220;Mirror&#8221; for solo violin<\/p>\n<p>2002 &#8211; &#8220;Captive to the passions&#8221; for solo violin<\/p>\n<p>2010 &#8211; &#8220;Removal&#8221; for solo viola<\/p>\n<p>2011 &#8211; Sonata-fantasia No. 2 for solo violin<\/p>\n<p>2011 &#8211; Fuga in G for solo violin<\/p>\n<p>2011 &#8211; &#8220;Prayer&#8221; for the organ, to the memory of V. Stamboltsyan<\/p>\n<p>2012 &#8211; &#8220;Legend&#8221; for solo violin<\/p>\n<p>2012 &#8211; &#8220;Tangled knots&#8221; fugue for solo violin<\/p>\n<p>2013 &#8211; &#8220;Learning&#8221; for piano<\/p>\n<p><strong><em>Vocal works:<\/em><\/strong><\/p>\n<p>1971 &#8211; &#8220;Djivani&#8221; vocal series for mezzo-soprano and piano (by Frick)<\/p>\n<p>1972 &#8211; &#8220;Confused&#8221; vocal series for soprano, flute and piano (y P. Duryan)<\/p>\n<p>1987 &#8211; &#8220;Evening advises&#8221; vocal series for soprano and piano (by V. Tekeyan)<\/p>\n<p>2010 &#8211; &#8220;Hopes and Dreams&#8221; vocal series for voice and piano (by M. Metsarentsi)<\/p>\n<p><strong><em>Chorouses:<\/em><\/strong><\/p>\n<p>1976 &#8211; &#8220;Land of Signs&#8221; chorus for female choir (by H. Edoyan and A. Harutyunyan)<\/p>\n<p>1980 &#8211; &#8220;Navasardyan&#8221; chorus for mixed choir (by D. Varuzhani)<\/p>\n<p>1984 &#8211; Choral set (4 choruses) for female choir (by V. Davtyan)<\/p>\n<p>1984 &#8211; &#8220;Ode&#8221; chorus for mixed choir (by D. Varuzhani)<\/p>\n<p>1985 &#8211; Choral set (4 choruses) for female choir (by V. Teryan)<\/p>\n<p>1985 &#8211; Ritual itinerant choruses (4 parts) for female or children&#8217;s choir, folk lyrics<\/p>\n<p>1985 &#8211; &#8220;Sirius&#8221; for female choir<\/p>\n<p>1995-199 &#8211; Arrangements of Armenian spiritual songs (7 choruses) for mixed choir<\/p>\n<p>1997 &#8211; &#8220;Return&#8221; chorus for mixed choir (by V. Teryan)<\/p>\n<p>2004-2007 &#8211; Arrangements of Armenian spiritual songs (16 choruses) for a female choir<\/p>\n<p>2005 &#8211; Chorus (3 choruses) for mixed choir (by H. Hoveyan)<\/p>\n<p>2009 &#8211; &#8220;Sesame, open!&#8221; chorus (4 choruses) for mixed choir (by H. Sahyan)<\/p>\n<p>2010 &#8211; Choir (5 choruses) for mixed choir (by E. Charentsi)<\/p>\n<p>2010 &#8211; &#8220;Songs of Shatak&#8221; chorus (4 choruses) folk lyrics<\/p>\n<p>2010 &#8211; &#8220;Autumn flowers&#8221; chorus (by M. Metsarentsi)<\/p>\n<p>2010 &#8211; &#8220;AGORA&#8221; choir<\/p>\n<p>2011 &#8211; Choir &#8220;I believe, I may resurrect&#8221; (by R. Davoyan)<\/p>\n<p>2011 &#8211; Choir &#8220;Yahweh&#8217;s Revenge&#8221; (by A. Isahakyan)<\/p>\n<p>2012 &#8211; Series (by A. Isahakyan)<\/p>\n<p>&#8220;6 teaching hayren taghs&#8221; for women&#8217;s choir (by Hovhannes Yerznaktsi Pluzi)<\/p>\n<p>2012 &#8211; Elegy to the memory of Hrant Dink<\/p>\n<p>2012 &#8211; Choir &#8220;Searing sea urchins&#8221;<\/p>\n<p><strong><em>Armenian folk instruments and orchestra works:<\/em><\/strong><\/p>\n<p>1980 &#8211; &#8220;Autumn Tagh&#8221; piece for kanon<\/p>\n<p>1982 &#8211; &#8220;Rhapsody&#8221; for two kanons<\/p>\n<p>1983 &#8211; &#8220;For Love and Kindness&#8221; for orchestra<\/p>\n<p>2009 &#8211; &#8220;Prelude and Scherzo&#8221; for kanon<\/p>\n<p><strong><em>Arrangements for &#8220;Tagharan&#8221; ancient music ensemble:<\/em><\/strong><\/p>\n<p>1987-1994 &#8211; &#8220;Armenian Spiritual and Secular Songs&#8221; 350 arrangements and transpositions consisting of 7 &#8220;50-pieces&#8221;<\/p>\n<p>Adaptations of K. Monteverdi&#8217;s &#8220;Coronation of Poppea&#8221; and &#8220;Orpheus&#8221;, rewritings of G. Handel&#8217;s Ezio, Gluck&#8217;s Eurydice and Orpheus operas for the Tagharan<\/p>\n<p>Arrangements and adaptations of about 100 Western European authors for the &#8220;Tagharan&#8221;<\/p>\n<p><strong><em>Music written for film and theatre:<\/em><\/strong><\/p>\n<p>1986 &#8211; &#8220;40 Days of Musa Dagh&#8221; TV theater performance (dir.: G. Chalikyan)<\/p>\n<p>2001 &#8211; &#8220;Long Apricot Road&#8221; short film (dir. N. Pezjian)<\/p>\n<p>2002 &#8211; &#8220;Avyun&#8221; short film (dir.: N. Pezjian)<\/p>\n<p>2005 &#8211; Full-length documentary film &#8220;Blessed&#8221; (dir.: N. Pezjian)<\/p>\n\t\t<\/div>\n\t<\/div>\n\t\n\t<div id=\"accordion-2628295937\" class=\"accordion-item\">\n\t\t<a id=\"accordion-2628295937-label\" class=\"accordion-title plain\" href=\"#accordion-item-titles\/awards\" aria-expanded=\"false\" aria-controls=\"accordion-2628295937-content\">\n\t\t\t<button class=\"toggle\" aria-label=\"Toggle\"><i class=\"icon-angle-down\" aria-hidden=\"true\"><\/i><\/button>\n\t\t\t<span>TITLES\/AWARDS<\/span>\n\t\t<\/a>\n\t\t<div id=\"accordion-2628295937-content\" class=\"accordion-inner\" aria-labelledby=\"accordion-2628295937-label\">\n\t\t\t\n<p>1993 &#8211; &#8220;Saint Mesrop Mashtots&#8221; order of the Great House of Cylicia.<\/p>\n<p>2011 &#8211; Honored Artist of the RA<\/p>\n<p>2016 &#8211; Gold Medal of the RA Ministry of Culture.<\/p>\n<p>2017 &#8211; Golden Medal of the Mayor of Yerevan.<\/p>\n<p>2021 &#8211; MOVSES KHORENATSI medal for significant contribution to the development of culture, education, and science.<\/p>\n\t\t<\/div>\n\t<\/div>\n\t\n<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n<\/div>\n\t<div id=\"gap-1001488279\" class=\"gap-element clearfix\" style=\"display:block; height:auto;\">\n\t\t\n<style>\n#gap-1001488279 {\n  padding-top: 30px;\n}\n<\/style>\n\t<\/div>\n\t\n\t\t<\/div>\n\n\t\t\n<style>\n#section_450734619 {\n  padding-top: 80px;\n  padding-bottom: 80px;\n}\n<\/style>\n\t<\/section>\n\t\n\n\t<section class=\"section dark\" id=\"section_2021052118\">\n\t\t<div class=\"section-bg fill\" >\n\t\t\t\t\t\t\t\t\t\n\t\t\t\n\n\t\t<\/div>\n\n\t\t\n\n\t\t<div class=\"section-content relative\">\n\t\t\t\n<div class=\"row\"  id=\"row-1364171273\">\n\n\t<div id=\"col-2017074559\" class=\"col small-12 large-12\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n<h3 class=\"accordion_title\">PORTFOLIO<\/h3><div class=\"accordion\">\n\t<div id=\"accordion-1557690281\" class=\"accordion-item\">\n\t\t<a id=\"accordion-1557690281-label\" class=\"accordion-title plain\" 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71);\n}\n<\/style>\n\t<\/section>\n\t\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":4,"featured_media":3641,"parent":7290,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-blank.php","meta":{"h5ap_radio_sources":[],"footnotes":""},"class_list":["post-7080","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/acu.am\/index.php?rest_route=\/wp\/v2\/pages\/7080","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/acu.am\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/acu.am\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/acu.am\/index.php?rest_route=\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/acu.am\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=7080"}],"version-history":[{"count":9,"href":"https:\/\/acu.am\/index.php?rest_route=\/wp\/v2\/pages\/7080\/revisions"}],"predecessor-version":[{"id":7116,"href":"https:\/\/acu.am\/index.php?rest_route=\/wp\/v2\/pages\/7080\/revisions\/7116"}],"up":[{"embeddable":true,"href":"https:\/\/acu.am\/index.php?rest_route=\/wp\/v2\/pages\/7290"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/acu.am\/index.php?rest_route=\/wp\/v2\/media\/3641"}],"wp:attachment":[{"href":"https:\/\/acu.am\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=7080"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}